Fellow crime author and CrimeThrillerGirl blogger, Steph Broadribb recently invited me to answer questions about procrastination, writing in cafés, and the perils of cats.
#CRIMEWRITERSINCAFESPROCRASTINATING – ZOË SHARP TALKS PROCRASTINATION, WRITING ON THE MOVE AND THE PERILS OF CATS @AUTHORZOESHARP
“Today kick-ass thriller writer Zoë Sharp is joining me for Crime Writers In Cafés Procrastinating. As the title suggests, this feature is all about the lengths writers go to procrastinate when they should be writing, and how they (eventually) manage to win against the temptation of the path of procrastination to finish their books.
“I’m a huge fan of Zoe’s books, and super excited to grill her about procrastination, her writing habits and her latest book DANCING ON THE GRAVE.
“Welcome Zoë! So tell me all about your latest book—Dancing On The Grave?”
Zoë Sharp: “Basically, it’s my take on the Washington Sniper incident from a few years ago, but set in the English Lake District. If you want the slightly longer explanation, it’s an exploration of what it means in today’s culture to desperately want to be famous, regardless of what you want to be famous for. It’s about the way we treat our ex-military personnel when we’re finished with them. It’s about loyalty, betrayal, love, and revenge. Just the everyday story of country folk.”
“How long did Dancing On The Grave take to write?”
ZS: “Far too long. I actually finished the first version of this book eight years ago. It was just about to go out on submission when Derrick Bird went on the rampage in the west of Cumbria, shooting twelve people dead and injuring a further eleven before taking his own life. It wasn’t close to the storyline of my book, but at the same time it was too near the mark. The book was withdrawn from submission and I put it away for a long time. It was only recently I felt able to get it out and work on it again.”
“What’s your favourite writing/procrastination spot—home, café, bar, other?”
ZS: “Home, probably, although ‘home’ is something of a moveable feast at the moment. As I write this, I’m actually sitting in the kitchen of a house in the Aveyron valley in southern France, where I’m house and cat-sitting for the whole of the month. That’s always been the beauty of this job—the fact you can do it anywhere.
“Of course, the flip-side of that is that you can also fail to do it anywhere. I like to make pencil notes when I’m out and about, in cafés, usually, or waiting rooms, or wherever, and then type up my notes and expand on them when I get back to my desk. It doesn’t feel right to make notes at my desk. Here, I go and sit at the bottom of the garden, then it’s back to the kitchen table, or the one under an awning outside, to attempt to transcribe my scrawl onto my laptop.
“If I’m in the UK, there are always other jobs that call to me. I’m in the midst of a house renovation project, so there are a million other things to do that are particularly difficult to ignore when the weather’s good and you don’t know how long that state of affairs might continue. This is why there are fewer distractions in the winter. Except for the cats, of course. They love to sit on paper (particularly with muddy feet) or my lap. Or my keyboard. Or my hands. Maybe they’re the feline equivalent of literary critics?”
To read the rest of this entertaining interview, click here.