Inevitably, when you write, you ‘borrow’ characteristics or mannerisms you’ve noted in friends, relations, enemies, or complete strangers. This is one of the reasons writers love to sit somewhere crowded and people-watch like crazy. A twitch, a tic, a nervous gesture, the way some people look down at their shoes and pace very deliberately when they’re taking a phone call. It’s all grist to the writer’s ever-hungry mill.
I freely admit there were aspects of different real people in the early Charlie Fox books, although I refuse to comment on which characteristics those were and what use I made of them! It wasn’t until I did an event at my local library while I was plotting book four in the series that I realised people might actually want to appear in my work.
My local library in Lancaster were hugely supportive of my first steps into the world of being a published author. So, when one of the librarians mentioned that another member of staff, Andrew Till, would really, really like to be a character in a book, how could I refuse?
When FIRST DROP came out, Andrew Till was an FBI Special Agent-in-Charge who plays a vital role in helping Charlie defeat the bad guys—even if he does try to arrest her the first time they meet.
Since then, I’ve used numerous real people as characters in the books. Over the course of the series they’ve taken on the roles of PIs, LAPD detectives and CIA agents, as well as billionaire philanthropists, Charlie’s principal, main suspect, and even the outright bad guy.
Read the rest of this blog over on Anne Bonny Book Reviews.
For today’s stop on the #BlogTour, I’m with Anne Bonny Book Reviews for a Guest Post about one of the major characters in the book—that of the disturbed teenager, Edith Airey. She’s a prime example of a supporting player who totally stole every scene she was in, and eventually became one of the stars of the novel. And not in a good way…
Edith in Dancing On The Grave: a standalone crime thriller
I like conflicted characters. They make life interesting. When I started writing my latest standalone crime thriller, Dancing On The Grave, I originally envisaged that the story would centre around the two official characters, CSI Grace McColl (who I first wrote about in a short story called ‘Tell Me’) and DC Nick Weston. As is so often the case, however, the story changed direction in the telling.
Instead of being a straightforward police procedural, as soon as I introduced the ex-military sniper and PTSD sufferer, Patrick Bardwell, and the disturbed teenage girl, Edith Airey, who becomes his spotter, they owned the story. The sniper himself was a complicated mix of predator and victim, but Edith fascinated me.
For the rest of this article on Edith, click here.