For today’s stop on the #BlogTour, I’m with Anne Bonny Book Reviews for a Guest Post about one of the major characters in the book—that of the disturbed teenager, Edith Airey. She’s a prime example of a supporting player who totally stole every scene she was in, and eventually became one of the stars of the novel. And not in a good way…
Edith in Dancing On The Grave: a standalone crime thriller
I like conflicted characters. They make life interesting. When I started writing my latest standalone crime thriller, Dancing On The Grave, I originally envisaged that the story would centre around the two official characters, CSI Grace McColl (who I first wrote about in a short story called ‘Tell Me’) and DC Nick Weston. As is so often the case, however, the story changed direction in the telling.
Instead of being a straightforward police procedural, as soon as I introduced the ex-military sniper and PTSD sufferer, Patrick Bardwell, and the disturbed teenage girl, Edith Airey, who becomes his spotter, they owned the story. The sniper himself was a complicated mix of predator and victim, but Edith fascinated me.
For the rest of this article on Edith, click here.
I know, it’s a bit of a shocker, isn’t it? And this is not something I’ve come to lightly, but nevertheless, the decision remains—I’m going to tell people not to read my books.
OK, let me be clearer about this. I’m going to tell people not to read some of the books in my Charlie Fox series, depending on what they’re looking for from the series and the character. That sound better?
You see, I started writing the first novel in the Charlie Fox series back in the mid-1990s. That first book, KILLER INSTINCT, took a long time to come to publication, and when it did I never realised what the character was going to grow into.
I’ve always said that when you write a series, you choose either to let the character change and develop as time goes on, or you keep them in stasis, unchanging from the first book to the tenth, to the twentieth. Robert B Parker managed this brilliantly with his Spenser PI series, and Lee Child does it equally well today with his Reacher series. It doesn’t really matter what order you read the books, because you won’t really be missing any pieces of the overall story.
On the other hand, I really wanted to watch my character’s journey, to see her go from self-defence teacher to close-protection specialist with all the hazard-bumps in between. Charlie is a product of her nature and her experiences, and that fascinated me as much as the situations in which she found herself.
And change she has, over the course of the twelve books in the series so far. She is not the same person at the end of FOX HUNTER: #12 that she was at the start of KILLER INSTINCT: #1. Or even at the end of RIOT ACT: #2.
So, if someone who hasn’t read any of the series before decides to see what Lee Child was talking about when he said, “If Jack Reacher were a woman, he’d be Charlie Fox,” then the kind of character they’re likely to be interested in is the one who first makes her move into the world of close protection.
And although Charlie is training for that work during the events of HARD KNOCKS: #3, it’s not until the start of FIRST DROP: #4 that she’s actually on her first real job in Florida, minding the teenage son of a successful computer programmer.
TRIPLE SHOT comprises the first three books in the series, plus a bonus short story, Last Right—a tale of betrayal and revenge set on the Mexican border.
ANOTHER ROUND comprises the next three—FIRST DROP: #4, ROAD KILL: #5, and SECOND SHOT: #6, plus another bonus short story, Tell Me, featuring CSI Grace McColl who takes centre stage in the new standalone, DANCING ON THE GRAVE.
If you want to read about Charlie in bodyguard mode, then my advice in the future will be to start with ANOTHER ROUND. These three books really show Charlie getting into her stride as far as close-protection work is concerned.
But if you want to meet the character in the raw, when she’s still on her way back from events that brought about the end of her military career, when she’s still rough around the edges, has yet to discover her real killer instinct and is even, yes, more vulnerable, then TRIPLE SHOT will reveal that side of her and more. It also introduces her relationship with Sean Meyer, her former army training instructor who became her lover and her boss.
Don’t get me wrong, I’m still very proud of the early book in the series. When KILLER INSTINCT first came out, the Yorkshire Post declared it, “the best crime debut for years”. The New York Times said, “The bloody bar fights are bloody brilliant.” But I am aware that the storylines and settings are simply very different from Charlie’s later exploits. So if that’s the character you want to read about and enjoy, try joining her at book three or four instead.
Because let’s face it, there is a pretty good precedent for starting at episode four and working your way backwards…
This week’s Word of the Week is bleeding edge, meaning at the very forefront of technological development. The phrase has its origins in the 1980s, and is used to describe something right on the cutting edge of innovation.