I’m over the moon to have been one of the three female thriller authors interviewed for an article by Dr Andy Martin in The Independent. Andy Martin is the guy who shadowed Lee Child for his book REACHER SAID NOTHING, about the making of Lee’s Reacher thriller, MAKE ME. (Fascinating book, by the way. I have it on my shelf.) Andy has now done a second book about following Lee through the next book and movie, WITH CHILD. (I just ordered it!)
So, it was no surprise that Andy was going to get his teeth into the subject of female thriller protagonists and their authors in a thorough and thought-provoking way. He’s looked at the background and characters of myself, Steph Broadribb and Alex Callister.
Today’s female heroes are fighting back and sticking it to their male counterparts
Telling men to behave nicely hasn’t worked…so a trio of authors has created a new breed of literary hero: women who are prepared to hit back. Andy Martin talks to the writers
Here is a brutal biological fact, the fruit of some evolutionary asymmetry: statistically speaking, men are bigger, heavier, and more muscular than women. They can run faster and they hit harder. So there is a crucial question in the post-#MeToo era that is yet to be properly answered: Can a woman fight back against a man and win? And the “fighting back” here is completely non-metaphorical. In a straight physical encounter between a man and a woman, can the woman ever hope to come out on top? The whole history of patriarchy is predicated on the assumption that the answer is no. There is a vast tradition of sexual violence that says, no way! But there are strong voices out there that say otherwise.
With the domestic abuse bill going through parliament, and “coercive control” now officially illegal, it feels like more than ever the right time for a new generation of hardcore female role models who aren’t just going to lie down or take it on the chin or turn the cheek any more. Think of Big Little Lies: wouldn’t it have been better for all concerned if Celeste had seriously kicked Perry’s arse for him? Broken his jaw or given him a black eye? And maybe Jane could have fought him off – or tasered him – instead of getting raped?
“You’re a woman,” snarls the serial murderer and rapist. “Women are weak, stupid, vain… I showed them who was in control… You think you’re equal to a man, but you never will be… You’ll scream and you’ll beg me to stop just like all the rest.”
“I wouldn’t bet on it,” retorts Charlie Fox.
Read the whole of this article at The Independent.
Fellow crime author and CrimeThrillerGirl blogger, Steph Broadribb recently invited me to answer questions about procrastination, writing in cafés, and the perils of cats.
#CRIMEWRITERSINCAFESPROCRASTINATING – ZOË SHARP TALKS PROCRASTINATION, WRITING ON THE MOVE AND THE PERILS OF CATS @AUTHORZOESHARP
“Today kick-ass thriller writer Zoë Sharp is joining me for Crime Writers In Cafés Procrastinating. As the title suggests, this feature is all about the lengths writers go to procrastinate when they should be writing, and how they (eventually) manage to win against the temptation of the path of procrastination to finish their books.
“I’m a huge fan of Zoe’s books, and super excited to grill her about procrastination, her writing habits and her latest book DANCING ON THE GRAVE.
“Welcome Zoë! So tell me all about your latest book—Dancing On The Grave?”
Zoë Sharp: “Basically, it’s my take on the Washington Sniper incident from a few years ago, but set in the English Lake District. If you want the slightly longer explanation, it’s an exploration of what it means in today’s culture to desperately want to be famous, regardless of what you want to be famous for. It’s about the way we treat our ex-military personnel when we’re finished with them. It’s about loyalty, betrayal, love, and revenge. Just the everyday story of country folk.”
“How long did Dancing On The Grave take to write?”
ZS: “Far too long. I actually finished the first version of this book eight years ago. It was just about to go out on submission when Derrick Bird went on the rampage in the west of Cumbria, shooting twelve people dead and injuring a further eleven before taking his own life. It wasn’t close to the storyline of my book, but at the same time it was too near the mark. The book was withdrawn from submission and I put it away for a long time. It was only recently I felt able to get it out and work on it again.”
“What’s your favourite writing/procrastination spot—home, café, bar, other?”
ZS: “Home, probably, although ‘home’ is something of a moveable feast at the moment. As I write this, I’m actually sitting in the kitchen of a house in the Aveyron valley in southern France, where I’m house and cat-sitting for the whole of the month. That’s always been the beauty of this job—the fact you can do it anywhere.
“Of course, the flip-side of that is that you can also fail to do it anywhere. I like to make pencil notes when I’m out and about, in cafés, usually, or waiting rooms, or wherever, and then type up my notes and expand on them when I get back to my desk. It doesn’t feel right to make notes at my desk. Here, I go and sit at the bottom of the garden, then it’s back to the kitchen table, or the one under an awning outside, to attempt to transcribe my scrawl onto my laptop.
“If I’m in the UK, there are always other jobs that call to me. I’m in the midst of a house renovation project, so there are a million other things to do that are particularly difficult to ignore when the weather’s good and you don’t know how long that state of affairs might continue. This is why there are fewer distractions in the winter. Except for the cats, of course. They love to sit on paper (particularly with muddy feet) or my lap. Or my keyboard. Or my hands. Maybe they’re the feline equivalent of literary critics?”
To read the rest of this entertaining interview, click here.