Hard as it is for me to believe it sometimes, this will be book thirteen in the series. They do not get any easier to write.
Mostly, though, I feel that’s the way it should be. If something is worth having, it should be worth struggling for. And I do agonise over the story, the development of the characters and the continuing journey of my main protagonist, Charlie herself. I always try to find a slightly different problem to throw at Charlie, a different means of testing her.
This time, the question I posed at the outset was, having resigned from the executive-protection agency run by Parker Armstrong and been forced to give up her company-subsidised apartment in New York, has she gone over to the dark side by taking on a job for a shady international arms dealer?
Usually, you have the reassurance of your agent and publisher behind you. They are excited by the initial idea, approving of the outline, and then they get to go through the delivered manuscript, line by line, to give you their feedback and advice.
Or not, as the case may be. I’ve delivered books to publishers before now only to be greeted by weeks of silence before the copy-edits turn up with no comment on the work other than corrections to punctuation and spelling.
It can make the approach of publication day something of a nail-biting experience.
This time, however, is different.
Read the rest of this blog over on MurderIsEverywhere.